The pipeline is the attack surface
Media passes through agencies, freelancers, post houses and review platforms. Every handoff is a place an asset can be swapped or reused, and almost none are instrumented.
Run media production like a secured pipeline
DevSecOps put security checks inside the software pipeline. MediaSecOps does the same for media: provenance captured at each step of production instead of reviewed at the end, at render-farm scale, with no change to how artists work.
Media passes through agencies, freelancers, post houses and review platforms. Every handoff is a place an asset can be swapped or reused, and almost none are instrumented.
Pre-release footage cannot leave the facility, which rules out anything that uploads the file.
A single show runs to millions of frames across dozens of passes. Anything an artist has to remember will not survive a deadline.
When a synthetic asset takes seconds to produce, review at the end stops being a control. Only a check the pipeline performs itself survives the volume.
Disclosure is a legal duty in the EU and California, and it has to be applied where the content is made — inside production, not at the end of it.
Assets leak, get reused and get claimed. Terms in a rate card cannot be matched to a file six months later; terms bound to the artifact can.
Capture, ingest, edit, grade, VFX, mix and export each add to the history, so the finished asset carries its making.
OpenEXR and image sequences recorded in batch, with package manifests linking related files across a shot and the metadata a pipeline actually reads.
Alembic, USD and FBX, with the metadata a pipeline actually cares about extracted and recorded.
What a finished piece is made of — plates, stems, models, licensed elements — enumerated and hashed. Only the hashes leave the facility.
Which tool, which model, which version, at which step. Machine-readable, so a downstream check can distinguish an AI-assisted grade from a synthetic performer.
Union membership, studio certification and project role travel as credentials, and sign-off attaches to the artifact rather than to a comment on a review page.
Plugs into: Version control and changelist triggers · Render farm and batch pipelines · NLEs, DAWs and VFX pipelines · Local agents inside the facility · MAM and DAM systems · Cedar policy at the delivery gate
Read the VFX pipeline detail: formats, agent architecture and pipeline triggers →
A local agent hashes the asset; only SHA-256 hashes cross the boundary.
Attestation fires as work is submitted. Nobody learns a new tool, and delivery times do not move.
Assets are validated as they move between steps, so a broken chain surfaces at the handoff that broke it rather than at delivery.
Synthetic and assisted material is disclosed at the step that produced it, which is where the regulation says the duty sits.
Policy decides what ships: unattested assets, unknown contributors or missing disclosures fail before the master leaves.
Which take, which model, whose footage, under which licence, approved by whom — answered from the record rather than from a search through Slack.
Publish with proof attached
Read more →
Ship releases your customers can verify
Read more →
Turn content and AI policy into a control you can evidence
Read more →
Stand behind what you issue, under your own name
Read more →
Attest what you produce, verify what you consume
Read more →
Tell us how your pipeline is put together, step by step, and where the work leaves the building.